{"id":3388,"date":"2022-01-20T12:03:13","date_gmt":"2022-01-20T11:03:13","guid":{"rendered":"https:\/\/www.naardenpianofestival.nl\/artist\/kristian-bezuidenhout\/"},"modified":"2022-01-20T12:15:16","modified_gmt":"2022-01-20T11:15:16","slug":"kristian-bezuidenhout","status":"publish","type":"artist","link":"https:\/\/www.naardenpianofestival.nl\/nl\/artist\/kristian-bezuidenhout\/","title":{"rendered":"Kristian Bezuidenhout"},"content":{"rendered":"<p class=\"p1\">Kristian Bezuidenhout ontdekte de fortepiano als ideaal instrument voor Mozarts pianomuziek tijdens zijn studie. Hij werd geboren in Zuid-Afrika in 1979 en begon zijn pianostudie in Australi\u00eb, vervolgde zijn opleiding aan de Eastman School of Music in New York en woont tegenwoordig in Londen. Hij studeerde piano bij Rebecca Penneys, fortepiano bij Malcolm Bilson, klavecimbel bij Arthur Haas en continuo-spel bij Paul O\u2019Dette. Op zijn 21ste levensjaar won hij de eerste \u00e9n publieksprijs op de Internationale Fortepiano Competitie in Brugge 2001.<\/p>\n<p class=\"p1\">In 2016 voltooide Bezuidenhout zijn Mozart Sonatecyclus (op fortepiano), bij Harmonia Mundi. Voor de 7 cd\u2019s ontving hij onder meer een Diapason d\u2019Or de L\u00e1n\u00e9e, Preis der Deutschen Schallplattenkritik en een Caecilia. In 2013 ontving hij de Echo Klassik Award voor de beste concerto opname van het jaar (Mozart Concertos met het Freiburg Barockorchester). De cd met Mark Padmore (onder andere Schumanns Dichterliebe) kreeg een Edison Award. Recente releases zijn Winterreisse met Mark Padmore en Bach Sonates voor viool en klavecimbel met Isabelle Faust.<\/p>\n","protected":false},"featured_media":3140,"template":"","meta":{"_acf_changed":false,"site-sidebar-layout":"default","site-content-layout":"default","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"tags":[44,43],"class_list":["post-3388","artist","type-artist","status-publish","has-post-thumbnail","hentry","tag-2019-nl","tag-meesterpianist"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.4 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Kristian Bezuidenhout - Naarden International Piano Festival<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.naardenpianofestival.nl\/nl\/artist\/kristian-bezuidenhout\/\" \/>\n<meta property=\"og:locale\" content=\"nl_NL\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Kristian Bezuidenhout - Naarden International Piano Festival\" \/>\n<meta property=\"og:description\" content=\"Kristian Bezuidenhout ontdekte de fortepiano als ideaal instrument voor Mozarts pianomuziek tijdens zijn studie. 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