Naarden Internationaal Piano Festival

Frank Braley

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Frank Braley was born in 1968, and began his piano studies at the age of four. Six years later he gave his first concert with the Orchestre Philharmonique de Radio France in Paris, Salle Pleyel. He entered the Conservatoire National Supérieur de Musique de Paris and was awarded unanimously first prizes for piano and chamber music three years later. In 1991 he took part in the Queen Elizabeth Competition of Belgium where he won the First Grand Prize. Since then, Frank Braley has been regularly invited to Japan, Canada, the United States, and all over Europe, to play with such orchestras as the London Philharmonic, Leipzig Gewandhaus, Orchestre de la Suisse-Romande, Orchestre National de France, Orchestre de Paris, Berlin Radio Orchestra, Orchestre National de Belgique, Rotterdam Philharmonic, Residentie Den Haag Orchestra, Göteborg Symphony, Tokyo Philharmonic, the Royal Scottish Orchestra, the Berliner Sinfonie-Orchester, the Boston Symphony and the Los Angeles Philharmonic Orchestra under Stéphane Denève, Charles Dutoit, Christopher Hogwood, Eliahu Inbal, Marek Janowski, Armin Jordan, Sir Neville Marriner, Kurt Masur, Sir Yehudi Menuhin, Antonio Pappano, Michel Plasson, Michael Schonwandt…

For Harmonia Mundi he has recorded Schubert’s Sonata in A Major D. 959 and Klavierstücke D. 946 (for which he received the Diapason d’Or), Richard Strauss’ works for solo piano, Beethoven’s Sonatas Clair de lune op.27 n°2, Appassionata op. 57 and op. 110, Gershwin’s complete piano music. For BMG : Poulenc’s Double Concerto with Eric Le Sage (Diapason d’Or). For Naïve DVD Liszt- Debussy-Gershwin (Choc – Monde de la Musique). For Warner/Erato, he has recorded Ravel’s Chamber music with Renaud and Gautier Capuçon, Saint Saëns’ Carnaval des Animaux and Schubert’s Trout, Schubert’s Trios with Renaud and Gautier Capuçon, Hungarian Dances with Nicholas Angelich. After a Schubert/Debussy/Britten/Carter release, Frank Braley Frank and Gautier Capuçon recorded Beethoven’s complete Sonatas for Cello and Piano. (Erato, 2016). Latest release: Beethoven’s Ghost and Archduke piano trios with Renaud and Gautier Capuçon. (Erato, Febuary 2020).

Frank Braley teaches at the Paris Conservatory and is the Music Director of the Belgium Orchestre Royal de Chambre de Wallonie.

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As a little girl I walked with my mother in Naarden Vesting, on the way to the Turfpoortstraat, on the way to my grandmother. I can’t remember much about my visit to grandma, but what I still remember clearly are the high sidewalks and the buildings! The Spanish House, the Andreas Church! The former church building that was built by the Robert F.W. Bruinsma foundation was converted into a concert hall. How did that happen?

In my youth I listened to the St Matthew Passion many times in the Grote Kerk in Naarden. My parents were both organizationally involved in these beautiful performances by the Netherlands Bach Society. At that time, the seeds were sown for my development in and love for music. After my childhood and schooling, my husband and I have done a lot of work abroad and have lived in France for 25 years. The music then came into the background a bit, but it never really left my head. My husband passed away in 2005.

During that period I started organizing piano concerts on our estate in France. It was a success! And it gave me the energy and the idea to take up that also in the Netherlands after I sold the estate. To ensure that everything runs smoothly, the Robert F.W. Bruinsma set up. The main objective of our foundation is to support young musicians, especially piano students, on their way to their future.

The Andreaskerk in the Turfpoortstraat in Naarden Vesting has been purchased with the aim of creating a home base for the activities of our foundation. After three years of renovation, we have transformed the former church into a small-scale concert hall. In the initial phase of the renovation I met the pianist Nino Gvetadze. She was introduced to me by Jan Wijn, a well-known piano pedagogue in the Netherlands. Nino and I had a few conversations and it soon became clear that we are on the same page regarding thoughts about music and youth. So Nino presented her plan to me. An idea to bring young top talent from the piano master’s program at the conservatories into contact with people who are important for their development on the way to their career. And this was the starting signal for the ‘Naarden International Piano Festival’. We are both very proud that it has come to this.

You have a dream but you have to dare to stick your neck out to make it come true. Persevere, don’t hesitate, go after your goal!
Music connects people!
We hope to connect students with master pianists!
With a small team of employees, we are doing our best to put this festival on the map for the future.
We hope to offer you as an audience a few days of beautiful music!

Hankie Bruinsma Verbrugh (December 14, 1946 – October 23, 2023)
Co-founder of the Naarden International Piano Festival
Founder and former chairman of the Robert F.W. Bruinsma Foundation

Hankie Bruinsma Verbrugh
© Ronald Knapp

I was born in Tbilisi, Georgia, country of beautiful landscapes and rich musical traditions.
Even though non of my family members were professional musicians, I discovered piano from an early age. I loved composing little Waltzes and by the time when I was 5, I could already present a modest recital at the entrance exam of the Tbilisi Music School. Since that moment I have been blessed with the most inspiring teachers and possibilities to learn and develop, therefore, despite the turbulent years in my homeland, my first musical steps were full of interesting experiences.

For my Master’s degree I moved to the Netherlands and soon made my second home in Amsterdam, magical city, that charmed me from the first sight. During my studies I was honoured to have won the National Piano Competition (YPF) and later became a laureate of the Franz Liszt Piano Competition followed by the prestigious Borletti-Buitoni Award. These awards opened many doors to the concert halls all around the world.

I love playing solo recitals, where I can tell a personal story, as well as piano concertos and chamber music: to be inspired and communicate with other musicians is an incredible experience.

Making an album is always a magical moment, that’s probably where I become most demanding and honest. With every record I have been telling the stories, that are in a certain way connected to the certain stage of my life.

A few years ago I co-founded a piano festival in Naarden, that became a meeting point for pianists of different generations. I also lead the Delft Chamber Music Festival, where we celebrate the beauty of music and tell interesting stories annually, together with wonderful musicians.

I enjoy teaching my students at the Rotterdam Conservatory and giving master classes as well as listening as a Jury member to the young talented pianists at the International Competitions.

Being on stage and filling the room with a golden tone of a grand piano – that’s what I love the most in my profession, those moments when we get a chance to stop the time in the concert halls and communicate with our audience through the sound of music.

Hope to see you all in Naarden!

Nino Gvetadze
Pianist / Co-founder and Artistic Director of the Naarden International Piano Festival